In her frugality (borne out immigrant pragmatism), my mother unwittingly inspired my spare design sensibilities. Ever since she picked up an unloved Alvar Aalto Artek High Chair at a New England yard sale in the 1970â€™s for a song, I have gravitated to Scandinavian design. â€œThis is a classic,â€ she told me, â€œand it will last a long time.â€
I recently indulged my now obsession and spent an afternoon reading Scandinavian Modern, the latest in a series of books on Scandinavian design by Magnus Englund and Chrystina Schmidt, founder of UK Scandinavian design chain Skandium. A walk-through history of modern design in Scandinavia, from its emergence between the first and second World Wars to its midcentury heyday, the book culminates in the resurgent popularity of Scandinavian design today. It’s divided into two sections, Elements and Livingâ€”the first explores Scandinavian materials and the second presents a tour of a dozen Scandinavian dwellings, from modern country houses to classic urban apartments.
We particularly like Danish ceramicist Grethe Meyer‘s earthy, warm house designed and built in the 1960’s. Meyer, who died in 2008, originally trained as an architect and later became known for her ceramic designs for Royal Copenhagen. Filled with her own tableware, as well as furniture that she designed with good friend and Danish design compatriot BÃ¸rge Mogensen, her rooms present ideas about modular systems that remain fresh and influential today. Have a look:
Photography by Andrew Wood.
Above: The open shelves in Grethe Meyer’s dining room are filled with decades worth of ceramics of her own design. The Shaker table and chairs are by Meyer’s friend and collaborator BÃ¸rge Mogensen, created for the Danish Consumer Co-operative in 1944. The PH 5 Pendant Lamp, another Scandinavian classic, is by Paul Henningsen.
Above: The Ã˜resund kitchen system designed by Mogensen and Meyer was a precursor to many of the built-in kitchens we see today (we have a feeling Ikea’s designers have taken note). Meyer’s colorful ceramics sit on the top shelf.
Above: The brass pendant lamp, another Meyer design, is reminiscent of one of her bowls turned upside down.
Above: In her living room, Meyer used the Model 2213 sofa, a 1962 Mogensen design originally made for his own home. It’s the standard sofa in Danish embassies throughout the world. Clamp-on reading lights are an easy way of providing task lighting where required.
Above: A Mogensen and Meyer collaboration, the 1952 Boligens Byggeskabe wall unit broke new ground in modular design and went on to become a best seller.
Above: See 11 other Scandinavian interiors in Scandinavian Modern by Magnus Englund and Chrystina Schmidt, published by Ryland Peters and Small; $29.95. The book is available in the UK through Ryland Peters and Small; Â£19.99.
For more great books, have a look at our Required Reading posts. And if you’re looking for gift books, two to consider: our own Remodelista, A Manual for the Considered Home and New York City of Trees by Benjamin Swett.