Icon - Arrow LeftAn icon we use to indicate a rightwards action. Icon - Arrow RightAn icon we use to indicate a leftwards action. Icon - External LinkAn icon we use to indicate a button link is external. Icon - MessageThe icon we use to represent an email action. Icon - Down ChevronUsed to indicate a dropdown. Icon - CloseUsed to indicate a close action. Icon - Dropdown ArrowUsed to indicate a dropdown. Icon - Location PinUsed to showcase a location on a map. Icon - Zoom OutUsed to indicate a zoom out action on a map. Icon - Zoom InUsed to indicate a zoom in action on a map. Icon - SearchUsed to indicate a search action. Icon - EmailUsed to indicate an emai action. Icon - FacebookFacebooks brand mark for use in social sharing icons. flipboard Icon - InstagramInstagrams brand mark for use in social sharing icons. Icon - PinterestPinterests brand mark for use in social sharing icons. Icon - TwitterTwitters brand mark for use in social sharing icons. Icon - Check MarkA check mark for checkbox buttons.
You are reading

East Fork Pottery: A North Carolina Studio from a Matisse Heir

Search

East Fork Pottery: A North Carolina Studio from a Matisse Heir

January 3, 2017

This past December, during our Remodelista SF Holiday Market, we were chatting with potter Sarah Kersten about countertop compost pots. “I use a storage jar from East Fork Pottery,” she told us, which piqued our interest. A quick Google search later we were even more intrigued; it turns out East Fork Pottery is the brainchild of Alex Matisse, the great-grandson of Henri Matisse and the step-grandson of Marcel Duchamp. Matisse founded the pottery with his wife, Connie, in 2010; here’s the story:

Photography by Tim Robison, courtesy of East Fork Pottery, except where noted.

Alex Matisse at Wheel, East Fork Pottery

Above: The ceramicist Alex Matisse at work. “I have been making things out of clay with some seriousness since the 7th grade,” he says. “In the beginning I made mostly masks that had long sad faces.” Years later, after finishing his apprenticeships, he built a kiln on the edge of a tobacco field near Asheville, North Carolina. “There is a lifetime of challenges to explore with clay,” he says. Photograph by Connie Matisse.

East Fork Pottery on Shelves

Above: With a small group of potters and a brick and mortar shop in Asheville, Matisse and his business partner train the makers at East Fork to “know the exact weights of each pot we have designed and throw each form to the millimeter.” The collection is simple, unadorned, and streamlined; surprisingly, every piece is thrown by hand.

East Fork Pottery Extra Small Potter's Bowl

Above: Multi-purpose extra small potter’s bowls ($16 each).

East Fork Pottery Small Jar

Above: “Proficiency comes from repetitions,” Matisse says. “Where some potters might throw, say, 10 mugs in a ‘run’ before moving on to another form, we’ll throw 200. This style of throwing allows the potter to get into a flow, the pots coming off the wheel with ease, grace, and consistency.” The pieces are available in seven colorways. Seen here: Storage jars are partly glazed and left partly bare ($42 for the small size).

East Fork Pottery Classic Collection Basic

Above: The Classic Collection includes a basic table setting in neutral colors (eggshell, morel, and soapstone). “We consider these colors to be the foundation of the East Fork Collection,” Matisse says. The Classic Collection is $134.75 for the set.

East Fork Pottery Charger Plate

Above: Another key to artisan-made pieces that look utilitarian: a gas-fired kiln. “In the beginning, pots made at East Fork were fired exclusively with wood,” Matisse says. “Ash and salt collects on the surface of the pots throughout the firing, creating a surface quality that is deep, dynamic, and often mysterious.” But the process is intense: “Making enough work to fill the six-foot-high, 35-feet-long kiln takes about two months. Preparing the wood and getting the kiln ready to fire is another two weeks. Loading the pots into the kiln is another week; firing the kiln takes four days, with someone stoking the hearth 24 hours a day.”

In contrast, with a Blaauw gas kiln the whole process takes 18 hours and produces a more uniform effect. The new technique allows the couple to keep up with the demand for their dinnerware, which is now on tables in over a dozen restaurants.

A charger (seen here stacked with other plates) is $145.

East Fork Pottery Plates
Above: A collection of plates with East Fork’s signature unglazed rim.

East Fork Shallow Soup Salad Bowls

Above: A stack of hand-thrown bowls including a shallow soup and salad bowl ($44).

East Fork Pottery Bud Vase

Above: Small bud vases are available as a trio for $79.

Alex Matisse is conscious of his artistic lineage playing out in his work. “There was an intensity that [Henri] Matisse took to everything he touched,” he says. “Art was his life and everything thing else came second, including his family,” but the younger Matisse tries to “temper” that, particularly with a family and a business to run. “When people ask what I really got from that amazing lineage that is what I say: drive and intensity and a dose of lunacy!” That, and a sensibility for art in the everyday.

East Fork Pottery East Fork Mug

Above: The classic East Fork Mug comes wrapped in a paper band that tells the story of the studio ($36 each, currently sold out).

Have a Question or Comment About This Post?

Join the conversation

From our network