

“I’d like our house to be like the Weasley’s,” Max Rollitt told our contributor Nell when she interviewed him a while back (see: The Joy of Discovery: At Home with British Dealer/Decorator Max Rollitt).
And, yes, the über-snug bolthole of the fictional family is a pretty good comparison to Max’s style.
The British antique dealer, interior designer, and furniture maker is renowned on both sides of the Atlantic for his knack for creating rooms that are “joyful and elegant, effortlessly layered with color, texture, and history.” His approach? Mixing “a masterful knowledge of antiques with decades of hands-on furniture-making experience and an impeccable eye for detail, resulting in interiors that are both timeless and uniquely personalized.” Above all, it’s an effect that feels thoroughly warm, lived-in, and welcoming.
Today, Max writes in from his shop, Yavington Barn, in Hampshire, England, with what’s on his nightstand, the provisions he’s bringing to your dinner party, and perhaps the best design pet peeve we’ve heard.

Cheese—no particular type, as long as it’s wrapped in a ribbon.
Cookbooks, The Week, a glass of water on an old Delft tile, and a box of mementos from my childhood.
Eighteenth-Century Decoration book by Charles Saumarez-Smith. And non-design-related would be The Master and Margarita.

The Incredible String Band, just to shift my brain.
Orlando.

An outdoor bath.
The value of a really good curtain maker.
I’m not a fan of the revival of 1950s fabrics, the ones that look like they belong on London buses or Underground seats.

Absence of joy.
An elm chopping board, a gift from my friend John.
Joyful, elegant, comfortable.
Fabric by Colefax & Fowler, based on an Indian design from the V&A, that my mum made my childhood bedroom curtains from. My mother was a successful antiques dealer with a shop in Winchester.

A Nicole Farhi tank top.
A brass bed by Winfield that I bought in France.
Thanks so much, Max! Follow his work @max_rollitt and maxrollitt.com.
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