Viewed from the road in Accord, New York, a shadowy dark house is both austere and mysterious; behind the black facade is a great story.
In 1981, just a year before his death, famed ballet choreographer Eugene Loring was looking to complete his bi-coastal existence with a house in the Catskills (he was seeking a counterpoint to his white Richard Neutra modernist pavilion in California). That’s when Tom Pritchard of Madderlake Designs suggested a completely abstracted wood-construction form with a controversial exterior cladding material: neoprene.
Loring wanted a house that would feel like “living in a work of art,” so Pritchard pared down the design to its purest form, with no distinction between the roof and walls and without any trim or frames. The Rubber House has little separation from nature: the side exposed to the surrounding forest features floor-to-ceiling glass. Years after Loring passed away, actor Willem Defoe was attracted to the building; as he once told Architectural Digest, “One of the best features of the house is that nature has a a dialogue with it. The inside looks out, and the outside looks in.”
Above: The Rubber House is located on a seven-acre parcel in Accord, New York. Photograph by Nikolas Koenig.
Above: A well of light illuminates the black-tiled bathroom. Photograph via Luxist.
Above: Windows in the rear of the house. Photograph via Luxist.
Above: Photograph by Nikolas Koenig.
N.B.: Looking for more shadowy houses? See 39 images of Black Houses in our Gallery of rooms and spaces.