When a young family, headed by an “amazingly creative couple,” according to their architect, bought half of a period townhouse in Brooklyn’s Prospect Heights, they saw the potential in their petite duplex, despite its decrepit state from years of neglect and a “careless, 1980s renovation.” They thought it might someday become a simple and elegant space, and had fallen hard for a mature, flowering dogwood tree in the backyard.
When architect Elizabeth Roberts was brought on board, she tore down walls to give the two-bedroom, two-bath duplex some breathing room. On the main, 580-square-foot level, she designed a new eat-in kitchen that opens to the living room, and replaced the back facade with a wall of custom steel windows to visually bring the family’s beloved dogwood into the kitchen. On the lower level, another 580 square feet, she placed the kids’ bedroom and bath next to the master suite, to which she added new doors and windows so it opens onto the backyard. The nearly all-white space is not splashy, but its minimalism is “warmed by all the small details, personal touches, and hard work” that the architect, clients, and artisan collaborators poured into the space, Roberts says. Let’s take a closer look.
Photography by Dustin Aksland, courtesy of Elizabeth Roberts.
Above: Roberts replaced the building’s back facade with a full wall of steel windows and a door to access the backyard—the custom glazing was the project’s biggest spending “splurge.” Above: The kitchen cabinets were fabricated by Reliquary Studios in upstate New York.
Roberts counts the details among the most important features of this project. “In my opinion, minimalism requires great care in order for it to come off as warm and personal,” the architect says. “Everything is visible, and everything matters.”
Above: At right is a Bosch dishwasher fronted in a custom cabinet panel. The brass cabinet pulls are by Peter van Cronenburg.
“The house lives really well for the young family,” says project architect Elliot Meier. “It’s not huge, but the connection to the garden with the flowering dogwood makes both the main parlor and the master bedroom feel very open.”
Above: The combined kitchen and dining is anchored by a white Strut Table from Blu Dot, with Wishbone Chairs surrounding. The flooring is Heritage White Oak from LV Wood, installed in a chevron pattern. One lesson Roberts imparts from the project is the importance of ordering more flooring than you think you’ll need: “When working with a floor pattern like chevron, it’s critical to make sure you have enough of both the right- and left-hand cuts for installation,” she says. (Not sure you know your chevron? Test yourself in Remodeling 101: The Difference Between Chevron and Herringbone Patterns.) Above: A wall of white cabinetry hides the Sub-Zero fridge. Above: To create a “necessary, open, and airy portion of the house,” the new eat-in kitchen is completely open to the living room. “Therefore, every angle of the kitchen needed to look good,” Roberts says. Above: The living room fireplace surround is treated in tadelakt, a traditional Moroccan wall finish made of lime plaster and black olive soap. (For a primer on the technique, see Remodeling 101: Moroccan Tadelakt Plaster Finish.)
Roberts worked with plaster artist Sean O’Tyson to create the tadelakt finish.
Above: Roberts cites the tadelakt (also used in the master bath, below) as one of her favorite features of the entire project: “It’s a really beautiful and tactile material that has a subtle, hand-applied texture,” she says. Above: The ceiling light is vintage, by Swedish midcentury designer Hans-Agne Jakobsson. Above: The basement level’s original openings had been removed in a previous renovation. Roberts restored them so the master bedroom now opens directly onto the backyard. Above: The master bathroom walls are finished in gray tadelakt. The plumbing fixtures are Vola and the sconces are Trapeze from NYC’s Apparatus Studio. Above: The kids’ bath is lined in Brasilia cement tile from Popham Design with fixtures from Fantini.
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